fifthsuite
Peer Supporter
One of Maisky's great strengths is his ability to pull some incredibly improbable fingerings and bowings. What I never noticed as a kid - and what's not as evident without video - is his propensity to reinterpret Bach's musical suggestions - and make them sound right. For example, the Gigue of the Fourth Suite - he plays much of the opening in the middle of the low strings! Who else does that!? Even the most earnest romantic might blush to use the cello's throatiest, most bass-like register for Bach. Witness him unabashedly bellow the prayer that is the Fifth's Suite's Sarabande, probably the single most revered movement in the entire cello literature. How about the First Suite, where he slurs a figure that almost everyone else would play as 3+1? But again - his emotional gravity makes it right.
Keep listening to the Wispelwey. One day you will understand it.
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