miffybunny, thank you for your reply! That is so reassuring!! Would you mind if I private messaged you with a few questions?
I basically said what miffybunny said but I added how Eugene Gendlin teaches to face the emotion. Keep it as simple as you can is the rule of thumb Leslie735 and I didn't do well on that term, sorry.
When I tell of techniques I usually want to know if you have used them. I think your answer, answered that so here is a great list from Eugene Gendlin on how to Focus on an emotion ok.
1. Clearing a space What I will ask you to do will be silent, just to yourself. Take a moment just to relax. All right—
now, inside you, I would like you to pay attention inwardly, in your body, perhaps in your stomach or chest. Now see
what comes
there when you ask, "How is my life going? What is the main thing for me right now?" Sense within
your body. Let the answers come slowly from this sensing. When some concern comes, DO NOT GO INSIDE IT.
Stand back, say "Yes, that's there. I can feel that, there." Let there be
a little space between you and that. Then ask
what else you feel. Wait again, and sense. Usually there are several things.
2. Felt sense From among what came, select one personal problem to focus on. DO NOT GO INSIDE IT. Stand back from it.
Of course, there are many parts to that one thing you are thinking about—too many to think of each one alone. But
you can
feel all of these things together. Pay attention there where you usually feel things, and in there you can get
a sense of what
all of the problem feels like. Let yourself feel the unclear sense of
all of that.
3.
Handle What is the quality of this unclear felt sense? Let a word, a phrase, or an image come up from the felt sense itself. It might be
a quality-word, like
tight, sticky, scary, stuck, heavy, jumpy, or a phrase, or an image. Stay with the quality of the felt sense till something fits it just right.
4. Resonating Go back and forth between the felt sense and the word (phrase, or image). Check how they resonatewith each other. See if there is a little bodily signal that lets you know there is
a fit. To do it, you have to have the felt sense there again, as well as the word.
Let the felt sense change, if it does, and also the word or picture, until they feel just right in capturing the quality of the felt sense.
5. Asking Now ask: What is it, about this whole problem, that makes this quality (which you have just named or pictured)?
Make sure the quality is sensed again, freshly, vividly (not just remembered from before). When it is here again, tap it, touch it, be with it, asking, "What makes the whole problem so ____?" Or you ask, "What is in
this sense?"
If you get a quick answer without a shift in the felt sense, just let that kind of answer go by. Return your attention to your body and freshly find the felt sense again. Then ask it again.
Be with the felt sense till something comes along with a shift, a slight "give" or release.
6. Receiving Receive whatever comes with a shift in a friendly way. Stay with it a while, even if it is only a slight release. Whatever comes, this is only one shift; there will be others. You will probably continue after a little while,but stay here for a few moments.
IF DURING THESE INSTRUCTIONS SOMEWHERE YOU HAVE SPENT A LITTLE WHILE SENSING AND TOUCHING AN UNCLEAR HOLISTIC BODY SENSE OF THIS PROBLEM, THEN YOU HAVE FOCUSED. It doesn't matter whether the body-shift came or not. It comes on its own. We don't control that.
The above is a style by Eugene Gendlin on how to handle an emotion ok.
The imaging I was talking about is visualization.... I can explain more on that later.
For now it would be beneficial for you to know how to focus....
Bless you